Are you searching for the best DSLR under 40000 Rs? DSLRs are a great choice for photography enthusiasts, international travelers, vloggers, and also for fashion designers to a certain extent. However, a lot of them are highly expensive with their top-notch features and specifications.
If you are someone who is aspiring to film, take photos and footage for documenting your travels, for your own YouTube channel, or maybe for your social media audiences then owning a DSLR camera is an added advantage.
However, if you are looking to purchase a budget-friendly DSLR camera then you should definitely keep on reading because we have mentioned here some great budget-friendly and Best DSLRs under 40000 Rupees that you can buy without having to look back with eyes full of doubt.
We have also mentioned what excellent features and specifications they bring to the table as well as how well they perform.
Best DSLR Camera under 40000 INR in India
|S.No||DSLRs List||Price Details|
|5.||Canon EOS 1500D 24.1 DSLR||Check Price|
|4.||Olympus OM-D E-M10 Mark II||Check Price|
|3.||Fujifilm X-A7 24.2 MP Mirrorless||Check Price|
|2.||Panasonic Lumix FZ80 4K||Check Price|
|1.||Panasonic LUMIX G7 16.00||Check Price|
Let’s start our list of 5 best DSLRs under 40000 INR in India:
5. Canon EOS 1500D 24.1 Digital SLR Camera with EF S18-55 is II Lens
Build Quality and Handling:
The body is made entirely of plastic but feels sturdy and well-designed for a camera of this level. It comes with a handgrip that helps you grip the camera body, as well as a thumb rest.
Additionally, you get a dedicated raise button for the built-in flash as well as a hot shoe for connecting external accessories. It features an ergonomic button layout, so if you’ve ever used a Canon camera, you should feel right at home
Image & Video Quality:
Canon produces sharp, well-exposed, and pleasant-14-bit RAW images. The dynamic camera range is also decent, but not industry-leading. Despite offering some ability to recover lost in details, the photos do not measure up to the competition.
With continuous shooting speeds of 3 frames per second, it offers a substantial buffer even though it is on the slower side. This example contains 70 JPEG files and 10 RAW files.
The camera shoots up to 30 frames per second in 1080p Full HD, utilizing the highly-compatible MOV format. This allows easy sharing and post-processing. Additionally, the camera supports basic editing while playing back, such as trimming. The video quality produced in this class is generally acceptable, videos are generally crisp, and color reproductions are reasonable.
This is a good entry-level camera in terms of performance. Noise levels aren’t too bad even at ISO 800. The image quality was still good when using ISO 1600, but the noise levels were higher. In the viewfinder, the autofocus is quite fast, but in Live View, it is not as fast.
As the camera only uses contrast detection, it has difficulty finding focus – this is a common problem with entry-level DSLRs. There was a lack of details in the videos and noticeable noise when recording in low light.
Additionally, the camera includes nine automatic modes on its mode dial, denoted by icons that are easily understood: fully automatic, flash-off, Creative Auto (CA), portrait, landscape, close-up, sports, food, and night portrait.
CA mode allows you to customize the ambiance, flash, and depth of field settings, giving you a greater sense of control. Besides auto modes, you can also pick from eight shooting conditions, including Standard, Vivid, Soft, Warm, Intense, Cool, Brighter, Darker, and Monochrome (which has three colors – Sepia, Black and White, and Blue).
There is also an option for video (full HD at 30fps). Other creative filters include grainy black and white, soft focus, fish-eye, miniature, and toy cameras.
- entry-level DSLR camera
- Easy to use
- Decent battery backup
- Good image quality
- Minor Wi-Fi connectivity problems
- Incompatible with some third-party triggers and flashes
Besides being the only camera in its price range that offers 14-bit RAW files, the 1500D features an APS-C CMOS sensor with 24.1 megapixels paired with a DIGIC 4+ processor.
Although it can be expanded to ISO 12,800, the ISO range on this camera is rather limited. Shutter speeds range from 30 seconds to one-fourth of a second.
In terms of autofocus, it has a 9-point phase-detection system, but there is only one cross-type AF point at the center of the frame that can capture one-shot AF, AI Servo AF, or automatic AI Focus AF. Live view AF is enabled by contrast detection but includes face detection as well.
4. Olympus OM-D E-M10 Mark II Mirrorless Digital Camera
Build Quality and Handling:
Magnesium alloy is used to build the E-M10 Mark II, which has a solid, durable feel, but does not have the weatherproofing of other models higher in the range. The top plates of the new cameras are the most distinguishing feature between them.
As a result, the Mark II’s control dials are taller and easier to operate, while the exposure mode dial has been flipped so that the retro-styled power switch can be found on the opposite side.
Image & Video Quality:
By shooting in Raw format, you can get better image quality when you’re using high ISOs. ISO 3200 produces sharp details with no noise. The images captured at ISO 6400 have a bit of grain, but fine details are well rendered.
There are more details here than in a JPG when the ISO is 12800, but the grain becomes very apparent. At ISO 12800, very small details fade, and grain is visible. In addition, detail shines through at ISO 25600, but the result is grainy. The E-M10 II features 1080p video recording at a maximum frame rate of 60 frames per second.
You can also choose Fine and Superfine video quality, and record at 24, 25, 30, or 50 frames per second; if you drop the resolution to 480p, you can record at 120 frames per second, which can be played back in quarter-speed slow motion without losing fluidity.
This video has a lot of good qualities, filled with detail, and the autofocus system does an excellent job of adjusting to changing conditions.
No matter which lens you attach to the body, the image stabilization will keep the footage steady. It is possible to set exposure compensation and adjust audio levels, but full manual control is not available.
It performs quite well, excluding a few outliers. It takes 1.3 seconds for the zoom lens to start up with the power zoom kit. In good and dim light, though, its fast focus system allows it to focus and shoot in about 0.2-0.3 seconds (rounding up to 0.3).
It also performs well when shooting two consecutive JPEG or raw images. With flash recycle time added in, the time jumps up to 1.7 seconds.
This camera can take more than 30 shots in raw or JPEG per second, although it does not achieve the burst speed of its competitors. During focus and exposure adjustments, it stutters a bit.
There is no doubt that the in-focus shots are very high when the camera operates at that speed. By turning off both as well as image stabilization, you can get an 8.5fps rating. The battery life lasted substantially longer than the 320 shots it is rated for.
There is a tall and narrow mode dial on the OMD EM10 II that features very positive clicks between positions. You can select from an array of PaSM modes, including i-auto, ART, SCN, Photo Story, and Movie.
- Great image quality
- Customizable Buttons
- Good performance
- Tilting touch-screen display
- Built-in flash
- 5-axis stabilization system
- No 4K video
- No mic input
- Wacky power switch
On the E-M10 II, the image stabilization system has been updated to a 5-axis, so it corrects for pitch, yaw, rotation, and horizontal and vertical translation. On the E-M5 Mark II, the number of axes is the same, but the system isn’t the same, possibly as a result of space constraints.
With Olympus cameras, you can use a new AF targeting pad called Touchpad AF. By using your finger on the touchscreen LCD, you can move the focus point while looking through the viewfinder. As a result, you can keep a firm grip on the camera instead of moving your hand to use the four-way controller.
With a fully electronic shutter, the E-M10 II can capture images with a shutter speed of 1/16000 sec and is completely silent.
The e-shutter is also useful in other situations. Using the mechanical shutter at speeds between 1/60 and 1/200 sec, you may experience what’s known as ‘shutter shock’, a blurring effect caused by vibrations of the shutter mechanism.
With the E-M10 II, you get the latest version of the company’s Wi-Fi system. It offers two levels of access: the owner’s private connection and the guests’ connection.
By enabling the ‘One-Time’ guest mode, friends can connect to the camera, even if they don’t have the Olympus app. However, they will only have access to images that were selected on the camera.
3. Fujifilm X-A7 24.2 MP Mirrorless Camera with XC 15-45 mm Lens
Build Quality and Handling:
In spite of the plastic body, the dials on the control are just as tactile as those on more expensive Fujifilm cameras. Though the X-A7 is a budget camera, it does not feel cheap. It has been redesigned from the inside out, but the 16:9 aspect ratio fully articulating touchscreen display is the most obvious upgrade.
Despite being an entry-level ILC, this is the first from Fujifilm to feature a fully-articulating screen, which can be useful to videographers and makes it easier to take selfies. That large screen offers a resolution of 2.76 million dots, which is considerably higher than most of its competitors. The top plate of the camera sees an overhaul as well.
With the new camera, the front control and rear control dials are flat against the top of the camera, making them easy to operate with your thumb and forefinger. With the X-A7 and the XF 23mm F2 R WR lens, you can expect a more engaging, enjoyable, and tactile experience.
Image & Video Quality:
This camera produces great image quality when shooting in JPEG. For decades, Fujifilm has specialized in color technology, and not just in the photography and imaging industries. Their film simulations have been fine-tuned to provide crisp, pleasing images with excellent rendering quality.
With the large touch screen, you can even see a before and after image of the film simulation, which is included in the Fujifilm X-A7. The X-A7 offers incredibly usable RAW files that can even be recovered with suitable software, such as Adobe Lightroom, even from the darkest of images.
You can set the camera to capture one of each type for the same image if you aren’t sure whether to shoot in JPEG or RAW.
The Fujifilm X-A7 comes with a full set of features, but given that it’s an entry-level camera, it doesn’t excel in every area. Even so, the camera does everything it promises to give its price point and demographic.
However, while the touchscreen response is the fastest, it takes a little while before the screen lights up when the camera is started. Nevertheless, this isn’t a major issue and certainly would not deter anyone from purchasing or using this camera.
Electronic shutter mode allows the camera to capture six frames per second when shooting in burst mode. Sadly, the buffer stalls after just four or five images. It happens with either mechanical or electronic shutters.
Aside from the familiar P, A, S, and M shooting modes, SP (Scene Position) lets you choose the scene mode you want, including the new Light Trail mode, which is like the bulb but with on-screen image development. In SP, you can select a Portrait mode, and you’ll also find an automatic panoramic mode on the mode dial.
- Retro Design
- Advanced controls and modes
- External mic jack
- Fast autofocus
- Bright, crisp image quality
- Feeble built-in flash
It uses a 24-megapixel APS-C CMOS sensor instead of Fujifilm’s X-Trans sensor, which is used in other Fujifilm cameras. Its huge 3.5-inch screen is one of the most notable features of the X-A7, bigger than any other camera we can think of. The screen can be turned out to face forward, meaning it’s perfect for selfies or vlogging.
Besides being a touch-screen, the camera has an updated user interface that makes it easy to change settings, as well as preview different effects.
2. Panasonic Lumix FZ80 4K Digital Camera
Build Quality and Handling:
Panasonic Lumix DC-FZ80 features a deeper grip and better texture than its predecessors. Between the lens and the grip, there is a large area for your hand, which makes the camera more comfortable to hold. The FZ80 measures 5.1 x 3.7 x 4.7 inches. The dimensions of the camera are 130mm x 94mm x 119mm and it weighs 21.7 oz (616g) when only the body-only batteries are used.
Image & Video Quality:
Panasonic’s Lumix FZ80 records in Full HD very well. In video mode, the color results are comparable to those in photo mode. The automatic white balance system works quite well and most colors only show minor aberrations to the values they were given.
Blues are particularly saturated/boosted. As far as the dynamic range is concerned, the camera achieves an aperture value of 9.76 f/stops at maximum settings and maintains this value until ISO 800.
Many budget cameras produce subpar images, which is a big problem. This is not the case with the FZ80K. The RAW and JPEG quality of this camera is on par with Superzoom cameras at a much higher price point.
However, point-and-shoot cameras aren’t great at capturing low-light images, but that has never been their strong point. However, the image stabilization isn’t good enough to compensate for the camera’s mediocre high ISO performance, which goes as high as ISO 6400.
The FX80K is a serious performer in good light, and when it comes to image quality, this camera is hard to beat within the superzoom category.
Even though it takes the same number of photos as its predecessor, the Panasonic FZ80 is significantly better in terms of performance. At a maximum of 10 frames per second, the FZ80 can capture up to 13 RAW+JPEG frames and around 100 JPEG frames.
Even though the RAW+JPEG buffer depth is still a little disappointing and rather slow to clear at less than two minutes, the JPEG buffer depth is much better and clears in a matter of seconds.
The maximum number of frames per second you can shoot with continuous autofocus is 6 fps, which is pretty decent. The FZ80’s video features are one of its more impressive aspects. Despite its low price, the FZ80 is not only able to record 4K UHD video but also comes with a variety of video features.
Panasonic’s FZ80 can record 4K UHD video at a bitrate of 100Mbps at 30 frames per second. Continuous 4K UHD recording is possible for up to 15 minutes.
In addition to the standard shooting modes, the Lumix FZ80 offers on-camera panoramas, creative filters, and other features. Although the panorama mode produced a good image, the panoramic file is a JPEG file and it is limited to 1,920 pixels in height.
You can stitch panoramas on a computer more effectively, but if that isn’t an option, the FZ80 is pretty good on its own. Among the features of the FZ80 is a 4K Photo mode, which enables the camera to capture 8-megapixel JPEG images at up to 30 frames per second.
Additionally, the FZ80 can shoot stills with a 1/16,000-second shutter speed thanks to an electronic shutter in addition to its mechanical shutter.
Panasonic Lumix FZ80 Pros And Cons
- 4K UHD video recording
- Good color reproduction
- Wide-angle 60x optical zoom lens
- Great Result with an electronic viewfinder (EVF)
- 3-inch touch-screen
- Optical Image stabilization
- Great video quality
- Noise at ISO1600 and above
- Battery life-draining fast with the EVF
- Not water and dust resistant at all
Panasonic’s LUMIX FZ80 4K Point and Shoot Long Zoom Camera has a 0.2-inch 1,170K-dot electronic viewfinder, so you get a good vision of your subject and can take the best photos.
It also comes with a 3.0-inch LCD display with a resolution of 1,040K dots. Touchscreen functionality makes it simple to select focus points and release the shutter. The 1/2.3-inch MOS sensor on the FZ80 has an effective resolution of 18.1 MP, so taking clear photos and videos is a breeze.
Panasonic’s Intelligent Zoom technology enables an optical zoom of 60x that can be enhanced to 120x digital zoom with the LUMIX DC VARIO lens.
With the FZ80’s impressive zoom capability – as well as its LUMIX DFD focusing system and high-speed burst shooting capability – you can capture far-away and/or fast-moving subjects with ease.
The FZ80’s ability to record 4K video is one of its best features. QFHD 4K videos can be captured at 30 frames per second, which is amazing when you consider the video resolution of 3840×2160.
1. Panasonic LUMIX G7 16.00 MP 4K Mirrorless Camera Kit
Build Quality and Handling:
The Panasonic Lumix DMC-G7 has a body that looks like a smaller version of a DSLR camera, and it has control points that are similar to those of a mid-range DSLR. Because it is compact, it is more manageable and easier to handle. Its body is slim and sharp, just like SLR cameras.
The grip is so deep that you can use it even with only one hand. As for the viewfinder, it is located where the EVFs are on DSLRs. The EVF measures 3.4 by 4.9 by 3 inches and weighs 14.6 ounces without the lens.
It is also designed with two control dials, buttons, and switches. For beginners in photography, the buttons might be difficult to operate and the body feels plasticky.
Image & Video Quality:
In terms of contemporary standards, the G7’s 16MP Micro Four Thirds sensor is very modest, but it offers rich, detailed images – though you should be careful if you plan to print large images or crop heavily when taking pictures.
In contrast, if you only print infrequently or to moderately large sizes, the image quality is excellent enough for producing a portfolio, taking images for a website, and so on.
It has 4K resolution at 30 frames per second, 1080p at 60 frames per second (ideal for fast action), and useful functions like timelapse and focus peaking. It also comes with a fully articulated touch screen for easy composition.
It’s a great place to start if you’re interested in increasing the quality of your videography, vlogging, or filmmaking. Although this model can deliver great results for professionals, it does not provide the same bitrates and frame rates as high-spec models, and you cannot use an external monitor.
In many ways, the 16-megapixel sensor of the LUMIX G7 is similar to the larger sensors found in traditional DSLR cameras. But the G7 also features an advanced image processor that doesn’t introduce any artifacts into videos and photos.
Up to an impressive ISO of 25,600, you can even take stunning, high-quality pictures in low-light conditions. In addition, the LUMIX G7 corrects problems associated with shooting with small apertures.
Utilizing the LUMIX G7’s exclusive 4K Ultra HD* video technology, you can pause and take a high-resolution photo of the perfect photo moment in time. Taking photos in 30 frames per second in 4K Ultra HD is a breeze.
The G7’s 4K PHOTO feature supports three different video modes using the camera’s 30-fps rate. 4K Burst: Automatically captures 8-megapixel photos when you hold the shutter button down. 4K Burst S/S (Start/Stop): Record a 4K video, play it back, pause it, and then take an 8-megapixel photo from any frame. Taking the perfect photo has never been easier.
4K Pre-Burst: This mode automatically starts a sequence of videos in 4K one second before and after you press the shutter button. Having an extra 60 images to choose from makes it perfect for those spontaneous, spur-of-the-moment photo ops.
- Responsive touchscreen display
- decent at fast shutter speeds
- Speedy performance
- Built-in flash
- 4K video/4K Photo modes
- Built-in EVF
- Not available as a body only
- Not weather-sealed
- Plastic build
Compact and lightweight, the LUMIX G7 provides intuitive, easy access to common features in an elegant, retro-modern design. The front and rear dials let you easily adjust the aperture and shutter settings while changing the white balance and ISO on the fly. Aside from assigning favorite settings, you can simply snap a picture by activating the 4K PHOTO Mode on the drive mode dial.
In addition to its 2,360k-dot resolution, the LUMIX G7’s OLED Live View Finder also offers 10,000:1 contrast and optimal framing, ensuring high visibility, even in direct sunlight. Additionally, the tilt/swivel touchscreen can be adjusted for optimal clarity.
The Panasonic LUMIX G7 features Panasonic’s exclusive Depth-From-Defocus (DFD) Auto Focus (AF) technology, which calculates the distance to subjects in seconds, then automatically adjusts the focus.
With Continuous Auto Focus AFC, you can capture images with a speed of up to 6 frames per second while getting fast AF speeds of up to 0.079 seconds.
Conclusion: Best DSLR Camera under 40000
These were our Best DSLR Cameras under 40000 Rs list which is pretty much the best-in-class DSLRs that are available online as well as in offline markets that you can purchase with a budget of 40k or less.
While being under an affordable price tag, no compromises were being made in terms of their features and performance. One thing is for sure you will definitely be satisfied with the results that these cameras have to offer in terms of their imaging and video recording. We have also included a list of the best mirrorless camera under 600000 Rs, you can also check that article.