Are you searching for the best mirrorless cameras under 60000 Rs? With mirrorless cameras, you can capture images with superior skills to any smartphone or point-and-shoot, yet they are still accessible and portable enough for beginners. Additionally, they offer large sensors, manual controls, and the option to switch lenses depending on the style of photography.
However, the latest mirrorless cameras actually come with some advanced features, making them great learning tools to sharpen your photography skills. It’s true that mirrorless cameras nowadays are expensive but that doesn’t mean that there aren’t any affordable options available out there.
Also Check: Best mirrorless camera under 1 lakh
In this article, we are going to have a look at the 5 best mirrorless cameras under 60000 INR that is available to buy in India.
Before purchasing a mirrorless camera make these points in your mind:
- Sensor MP Resolution
- FHD Video Recording
- Shutter Speed and ISO Range
- Compatibility with Different Lenses
Best Mirrorless Cameras under 60000 Rs in India
|S.No||Mirrorless Cameras Name||Price Details|
|5.||Panasonic LUMIX G7 16.00 MP 4K||Check Price|
|4.||Panasonic Lumix G100 4K Mirrorless||Check Price|
|3.||Olympus OMD-EM-10-Mark-IV||Check Price|
|2.||Fujifilm X-T200 24.2 MP Mirrorless||Check Price|
|1.||Sony Alpha ILCE 6000L 24.3 MP||Check Price|
Let’s start our list of 5 best mirrorless cameras under 60000 Rs in India:
5. Panasonic LUMIX G7 4K Mirrorless Camera
Build Quality and Handling:
With its rugged design, the Lumix G7 is splash- and dust-proof. Meanwhile, the Lumix-G7, with just 360 grams of weight (body only), is designed to provide seamless editing for aspiring filmmakers and videographers. In spite of its mobility, this model can record smooth, high-resolution videos.
With Panasonic’s TouchPad AF system, you can set the AF point while looking through the viewfinder while you are using your finger to move the point. There are six physical buttons on the G7 and five virtual buttons on the screen that can be customized to suit your preferences.
Panasonic LUMIX G7 features 4K PHOTO technology that harnesses the high resolution of 4K Ultra HD video to capture faster photos. You will never again miss a special moment with the exclusive 4K PHOTO feature, giving you the ability to pause and take high-resolution pictures from the 4K video. LUMIX G7 is compatible with over 24 compact lens options and built on “Micro Four Thirds”, a new generation of interchangeable lens cameras that have revolutionized photography.
Panasonic claims an increase in the overall performance of around one frame per second with a full-resolution burst performance of up to eight frames per second with a fixed focus or six frames with AF between frames.
By utilizing the Panasonic G7’s electronic shutter function, you can increase performance even further to a maximum of 40 frames per second. However, Panasonic has not yet declared what the resolution of the image will be with this configuration.
With the DMC-G7, you can shoot both AVCHD video and MP4, with MP4 recording offering 4K at 3840×2160 at 25p (50Hz) or 24p in MP4 format with fulltime autofocusing. In Panasonic, if you want to shoot the maximum 4K video – meaning twice the quality of Full HD – you must first switch to the MP4 mode before you can access the setting, which comes with a choice of 25 or 24FPS. In other words, AVCHD compression does not support shooting in 4K.
Using the 4K video capability, three different shooting modes can be used for continuous 8 MP stills at a 30 fps shooting speed:
4K Pre-Burst: Especially useful when you’re unsure of the right moment to press the shutter button, this mode records 8 MP images at 30 frames per second just prior to and just after pressing the button, giving you 60 frames to choose from.
4K Burst: When you use this mode, a continuous stream of 8 MP images are recorded at 30 frames per second for a maximum of 29 minutes and 59 seconds, making it a great choice for capturing quick motion.
4K Burst (S/S): This video mode closely resembles recording a 4K video and allows you to pause the video playback at a given point and use the shutter button to capture a single 8 MP frame from the video.
4. Panasonic Lumix G100 4K Mirrorless Vlogging Camera
Build Quality and Handling:
Panasonic’s new G100 has a slightly different design and appearance than the rest of its Micro Four Thirds lineup. As with other slim, compact Lumix cameras, the dimensions of this camera are very compact. Nevertheless, the camera’s design is more classic, with a centered, built-in EVF, much like Panasonic’s larger Micro Four Thirds cameras. It is indeed a very compact and lightweight camera.
While the construction appears to be primarily composed of polycarbonate plastic rather than the rugged magnesium alloy used in higher-end Lumix cameras, the G100 nonetheless feels very solid in the hand. It feels intuitive to use.
Even though it’s designed for vloggers, the G100’s 20.3MP Live MOS sensor captures vivid, detailed still images with punchy colors. The camera can also shoot RAW files and 10fps burst-mode JPEGs. Lumix’s 4K Photo mode allows you to record clips in 4K and select 8MP JPEGs if you really need to freeze the action. With phones and other smaller sensors, taking pictures in low light can be challenging.
You’ll get better results with the G100. Hybrid 5-axis IS makes it possible to take usable images up to ISO 3200 and with slower shutter speeds (only with compatible lenses). Additionally, it comes with a pop-up flash for night portraits and parties.
With regard to performance features, the G100 offers several quick burst shooting options. Additionally, the G100 supports 8MP stills at 30fps with 4K PHOTO modes. The G100 offers fairly modest continuous shooting rates for full-resolution photos. However, it does support either AF-C or AF-S with its electronic shutter, so it can still produce up to a respectable 10 frames per second.
When using the Electronic Front Curtain (there is no mechanical shutter mode), you can only get 6 frames per second with both AF-S and AF-C. If you want to shoot continuously in Live View, the fastest bursts the camera offers to drop to just 4 frames per second in either focusing mode or shutter mode. Using a UHS I Speed Class 3 SD card; the camera is capable of “over 480 images” when using a JPEG image.
Internal recording with the G100 has a 4K resolution up to 30p, a color depth of 8 bits, and a sampling rate of 4:2:0, and Full HD with a resolution up to 60p. In addition, external Full HD recording is available via micro-HDMI with 4:2:2 sampling and 8-bit color depth.
The V-Log L profile is pre-installed and captures a flat, neutral gamma curve useful in grading, along with a LUT for better color grading control.
Additionally, 4x, 2x, and 8x slow-motion settings and 8x, 4x, and 2x quick-motion settings can be used with Full HD recording, and Time Lapse and Stop Motion settings can be applied to recording subjects as they transform over time. For improved external audio capture, a 3.5mm microphone input is provided.
In addition to using the camera’s video recording capabilities, multiple still-shooting modes are available to capture continuous 8MP stills at 30 frames per second:
Pre-Burst: When you’re not sure when to press the shutter button, you can use this mode to record 60 images one second prior to and one second after pressing the shutter button, giving you the option to choose which frames to use.
Burst: This mode enables you to continuously record, making it suitable for situations in which a high frame rate is needed to capture the best moment.
Burst (S/S): This mode simulates the video recording process by allowing you to playback your video, pausing when you want, selecting a frame from the video, and saving it as a single 8MP image.
3. Olympus OMD-EM-10-Mark-IV Mirrorless Digital Camera
Build Quality and Handling:
Due to its magnesium alloy body, the E-M10 Mark IV feels impressively robust and solid straight out of the box despite being the most affordable camera in the Olympus OM-D lineup. With dimensions of 121.7 x 84.6 x 49mm, the camera weighs in at 383g including the included memory card and battery.
EM10 IV’s handgrip is sculpted to fit naturally to the right forefinger, and it has a slightly larger diameter than its predecessors. While it’s a subtle adjustment rather than a revolutionary one, it does make it easier to hold steady when shooting handheld. The thumb grip on the rear is helpful in this regard.
Sharp images with good color are captured by the 20.3-megapixel Micro Four Thirds sensor. Despite the fact that the viewfinder may not display perfect images and the camera may be slower, image quality is one aspect that wasn’t sacrificed to achieve the budget price.
Both the camera and the kit lens were able to produce detailed images. The kit lens produces the best results when shot wide open but is still acceptable at f/5. Coupled with the kit lens’s ability to magnify 23x, the camera is capable of capturing a tremendous amount of detail.
It’s a well-behaved, responsive camera that’s extremely easy to use. As soon as the power is turned on, the 14-42mm f/3.5-5.6 EZ kit zoom takes a few seconds to set itself up, but most of it is the lens extending into position. It’s almost instantly ready to use with other lenses. The touchscreen and physical controls respond instantly while it’s in use.
Automated systems on the camera work very well. Olympus has done a great job with automatic white balance, metering, and color rendering, and it shows again here. This camera’s in-body stabilization works extremely well, so you won’t have to worry about your images being spoiled by camera shakes.
It shoots 4K (UHD) video at 30/25/24fps for up to 29 minutes. The camera’s in-body image stabilization keeps footage steady, and digital image stabilization is also available. Using FullHD video, you can record at frame rates up to 60fps. In high-speed video recording, a lower resolution of 720p, with 120 frames per second is used.
PASM modes are present on the E-M10 IV camera, allowing you to use full manual controls and capture raw images. The camera also has several other modes, including Plus Auto, Scene Modes, Art Filters, and AP / Advanced Photo.
A range of creative shooting modes is available in the Advanced Photo mode, including Live Composite, Live Time, Multiple Exposure, HDR Backlight, Silent, Panoramic, Keystone Compensation, and AE bracketing. Both Live Composite and Live Time are excellent features to help get long-exposure and low-light (night) photographs exposed correctly without having to guess what they should be.
2. Fujifilm X-T200 Mirrorless Camera
Build Quality and Handling:
Fujifilm’s XT-200 has an improved electronic viewfinder (EVF) and better in-hand grip. The body is small and relatively light (about 370 g without a lens). Although it comes with a lens kit (15-45mm f/2.5-5.6 lens), it is small enough to be carried around easily by vloggers or people on the go. A key appeal of the XT-200 is its retro appearance.
It comes in silver, dark silver, and champagne finishes. With its rotating (90-180-degree) swiveling touchscreen, it lets you easily change between viewing it behind the lens and from the front.
Its display is satisfactory and bright enough to see under direct sunlight. At this price point, it offers one of the best displays available. It is a high-quality camera with a premium feel, despite its small size. The camera’s buttons are evenly spaced and easily accessible due to the camera’s compact form factor.
On the left side, there is a switch that opens the flash, and below it, there is a control dial that allows you to customize the flash. Below the EVF, the mode dial is flanked by controls on the right and left. Below the mode dial is the shutter release.
Images taken with the Fujifilm X-T200 are of excellent quality. At ISO 100, it produces noise-free JPEGs, while at ISO 6400, there is a small amount of noise visible and the colors are slightly desaturated. The ISO 51200 setting is best used in emergencies.
In RAW format, the images are also very good, with a lot of noise but still quite usable for ISO 200-6400. A maximum shutter speed of 30 seconds is sufficient for most night shots, and the Bulb mode allows for much longer exposure times if needed.
With a 24.2-megapixel sensor and an enhanced autofocus system powered by phase detection, the Fujifilm XT-200 has improved picture quality. With the new sensor, the lens is able to focus quickly and capture even fast-moving objects without losing details. While the autofocus is generally good, there are times when it falls short.
According to Fujifilm, the processor on the XT-200 is three-and-a-half times faster than its predecessor. The camera can shoot eight frames per second at full resolution in bursts. In addition, the XT-200 can record in 4K at 30 frames per second. It comes with an in-body stabilization feature that works pretty well, but only to a certain extent.
Fujifilm’s X-T200 produces smooth footage in 4K. Some fine details appear over-sharpened by default, but overall, the movies look good.
Also, the autofocus system can handle many situations and subjects well, but sometimes it jumps. Furthermore, digital stabilization is useful, as it reduces some of the shaking and wobbling associated with handheld 4K video. Slow-motion video can be captured in-camera with the X-T200. Despite the fact that this is a Full-HD option versus 4K, the results seem to be good if the sensitivity can be kept low.
The camera has PSAM shooting modes, which let you control the camera manually, as well as bulb mode, which lets you take long exposures of up to 60 minutes.
You can also choose from additional scene modes such as Sports, night, landscape, and panoramic. There are a variety of advanced (digital) filters available under the “Adv.” option, including “HDR Art”, Toy Camera, Miniature, Pop Color, and more.
In advanced Scene Recognition “Auto”, the camera uses the scene recognition algorithm to determine the best exposure for the photo.
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1. Sony Alpha ILCE 6000L Mirrorless DSLR Camera
Build Quality and Handling:
The a6000’s body measures 4.8 x 2.9 x 1.9 inches, which makes it about half the size of a conventional DSLR. It weighs only 12.1 ounces but feels solidly built thanks to the composite materials it is built from.
Even those with larger hands can easily hold the a6000. Unlike some other mirrorless cameras, the a6000 has both an electronic viewfinder (EVF) and an onboard flash (or both).
In general, the Alpha 6000’s JPEG images look excellent, though they are less sharp under low-light conditions. JPEGs are sharp at low ISO settings, with a relatively wide tonal range and good color. In the neutral setting, colors appear more accurate because they’re not as saturated and contrasted, but the default Creative Style does not shift hues. JPEG images tend to get smeary and soft with ISO 800 or higher.
Under low light conditions, the a6000 performs fine up to a high ISO setting of 1600. JPEGs can be softened a bit by internal noise reduction beyond 1600. In terms of video, the A6000 is outstanding, allowing full manual control (aperture, shutter speed, and ISO) before and during recording. The a6000 also allows you to choose between three AF drive speeds (slow, normal, fast) and two AF tracking durations (normal, fast), which set the time it takes for the camera to refocus.
The high-performance XAVC S codec supports recording in full HD at 60, 30, and 24 fps. Additional recording options include the AVCHD and MP4 codecs, and 28 Mbps video recording with 1080p60 resolution. Additionally, dual video recording is supported, as well as the option to record an MP4 file along with a XAVC S or AVCHD codec.
This can significantly increase the efficiency of sharing videos online. An optional external recorder can also be used to record uncompressed 8-bit 4:2:2 1080i60 and 1080p60 8-bit video using the integrated HDMI type D output.
An auto-object framing mode analyzes a scene and determines the best composition based on the objects within it. To enhance the aesthetic quality of individual images, you can apply some creative settings in the Picture Effect modes.
A few other modes are posterization (Color/B&W), pop color, retro photo, partial color (R/G/B/Y), toy camera, soft high key, soft focus, HDR painting, rich-tone monochrome, miniature, and watercolor. The superior auto mode is an intelligent automated setting that quickly identifies the situation and adjusts crucial camera settings to achieve optimal results.
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These were our best mirrorless cameras under 60000 INR in India list. If you are a content creator, photographer, or vlogger then owning a mirrorless camera could be a great alternative to some of the expensive DSLRs out there.
These are not only convenient to carry but they are also compact enough not to take up a big amount of space. Thus, if your budget is under 60000 INR then you should definitely consider some of the above cameras that are shown here in this article. We have also included a list of the best DSLR cameras under Rs 40000, you can also check that article.